CURRENTLY ON VIEW
VENETIAN BELLAGIO PALACE
Caroline Anderson / Charles Caesar / Lev Pinkus / Victoria Reshetnikov / Eric Santoscoy-McKillip July 30-mid Oct, 2026
They say Vegas is dying. In the face of endless beige organic wine, padded listening rooms that drip-drop a smug sense of performed connoisseurship, while we "quiet quit" in "quiet luxury" - Las Vegas and what it embodies just might save us from ourselves.
Do we really not want to see The Sphinx, visit the Temple at Luxor, or feel the mist of the Trevi Fountain for 50% off? Why is a simulacra of a farmstead dining experience in the middle of Nolita more enticing than a simulacra of the ancient city of Venice in the middle of the desert?
Do the wildly colorful theaters of Vegas shine too bright a spotlight on the nature-toned preachers of the commercialized self-care pulpit? Las Vegas, and all its aesthetic American grandiosity, is a synthetic environment that speaks human truths. It's a story of American hope, optical illusion, aesthetic density, and the belief that one glimmering moment might change our lives forever. It's a city made from the same impulse that brought us all to NYC, to try our luck. Like New York, like Venice, like South Beach, like Hollywood, like all of us artists working through the night - if your lights are on, you are alive.
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Caroline Anderson's (Cincinnati, OH & Austin, TX) sculptures appear like alien bustiers and showgirl headdresses made for non-human performers. Caroline's broad artistic practice explores technology, deep time, and near-future speculation. She is an Asst. Professor of Al and Creative Practice at The University of Texas and founded Solar Noon Gallery in Cincinnati.
Charles Caesar (NYC) is a Florida native and longtime New Yorker who works as an artist, writer, and zine publisher - creating imagery that celebrates the timelessness and magical realism of the elevated-everyday. Charles' photographs and works on view capture the glamour, aspiration, and resilience of show business.
Lev Pinkus's (NYC) paintings appear like flattened disco balls, hypnotizing us with magic and laden with messages encoded in crystalline longitudinal color charts. The tediousness of this work reminds us that glamour is constructed, and escapism is designed.
Victoria Reshetnikov (NYC) is an interdisciplinary artist interested in urban human-to- architectural relationships. Their works hover between printmaking, sculpture, photography, and drawing, and are united in their depictions of physical and psychological interior space.
Eric Santoscoy-McKillip's (NYC) work examines place and identity through the use of colors and symbols that reflect the in-between place of the US-Mexico borderlands. Eric's works on view appear like desert signage. His colored stucco reliefs possess both a maximal and minimal visual language, bringing a textured lens to a land that is fleeting, shifting, and changing.
* special thanks to Tommy Schell for the Vegas video compilation
PROVIDENCE
Anders Lindseth / Toussaint Rosefort / Michelle Rosenberg / Gregory Gangemi / Alexander Perrelli Jan 30-June 15, 2026
Providence is the guiding force of gods and nature that keeps the pulse of the world in balance. This universal beat is “the cosmic order” – a cornerstone of the ancient philosophy of Stoicism, which prizes self-control, resilience, and virtue. As beauty-seeking people, we scan the horizon for patterns of natural alignment, looking for what is right. These transcendental moments bring us to an understanding that our individual realities are part of a greater rhythmic whole.
Artists in the Renaissance sought to capture heaven through formal balance, synchronicity, and harmony. They linked earthly forms to interstellar space – and poured some midnight oil into the flames of myth and mystery that surrounded the overlap of science and religion. The mythology continues. The mystery is in this room. Look out into the distance. Between our minds and the justice we seek is where our imaginations live. In the face of chaos, we are on a hunt for the divine.
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Anders Lindseth’s sunset pieces are rendered entirely in crayon. They glow through the space like stained glass windows to another world, illuminating this gothic cathedral.
Toussaint Rosefort’s stretched leather wall sculpture is a body splayed. It is dialed in with his thin vertical paintings that hover like large thermometers, measuring heat and value.
Michelle Rosenberg’s broom sculptures call to mind traditional Shaker crafts, with colorfully trippy manipulations. The brooms direct us to a Shaker saying, “cleanliness is godliness”.
Gregory Gangemi’s videos show fictional wild beings that are formed from both animal and trash material, and are running around Acadia National Park. These primordial beings poke holes in idealized assumptions that the past was more predictable or more pure.
Alexander Perrelli’s stacked drywall wall sculptures encase transluscent-covered portals that hold classical architectural forms used to decorate both religious, governmental, and militarybuildings - highlighting an overlap in where and what we worship.
NANNA
MOLLIE MCKINLEY / STINA PUOTINEN /
ALEX SCHMIDT - through January 2026
Nanna is the Sumerian word for Moon God.
It's also what many of us call our grandmothers.
"For some reason I'm always having a glass-blowing day on a full moon," Mollie said over pancakes. She'd just gotten back from a residency where she met with a medium, and had convened and conversed with loved ones on the other side.
Mollie McKinley's photographic cave sculptures glow with light from her camera's flash, illuminating the cave walls, which read as shimmering galactic gems. Like a commune with the spirits, her work calls to mind not just the earth's or the psyche's interior - but outer space as well.
Alex Schmidt's video shows two extremely occupied women who don't need food - they just eat air and water, as they methodically run around a house claiming to bring good luck to daddy. These possessed, nymph-like beings write their dreams on a star calendar - "There are ten stars. There is only one diamond."
Their paintings, which are installed with scores from the performances that inspired them, also depict the vastness of ritual space. In these works, people (sometimes Alex themself) perform various actions - and the viewers are suggestively invited to join.
Stina Poutinen's images of zodiac beasts possess disarmingly human-like qualities. They stare like ancient animal gods - able to come to earth with fantastical rewards. Stina and I often talk about 'Woman Island' - a dream-like place not so much just for women, but an ageless and immortal paradise where we talk and laugh loudly, ideate, flail around, and dance together.
Through painting, video, textile, photography, and glass the artists in NANNA make works that manifest through their own sacred rites - and we are all now invited to drink and join the ceremony. —Leah Dixon
THE REAL WORLD NY EPISODE 1
EPISODE 1 : AMANDA MEHL / MUJERO / NOAH PICA / CARLO CITTADINI / PASTICHE LUMUMBA / BIFF BOLEN / DENA PAIGE-FISCHER
EPISODE 2 : BOBBY STRICKLAND / COLIN TOM / ROSALIE SMITH / MARCO DASILVA / HEIDI NORTON / SUTTON MURRAY / EDWARD SALAS
BEVERLY’S is proud to host two back-to-back exhibitions, titled The Real World NY (Episodes 1-2),which riff on the beginning of us sitting back and watching other people socialize.
This summer, entrepreneur and former presidential candidate Andrew Yang sent out an email titled “The Death of Partying”. Among statistics about how Americans are partying less, the email also cited research findings that “Men who watch television now spend 7 hours doing so for every hour they spend hanging out with another person outside the house” – and also that “The average female pet owner spends more time with her pet than all humans put together”.
MTV’s The Real World New York – seven adults, all picked to co-live in an early 90s Lower Manhattan loft, was the original emergence of sexy lifestyle domesticity as parasocial cosplay. In BEVERLY’S The Real World (Episodes 1–2) - we’ll be playing in real life together – surrounded by artworks from two casts of artists, picked to show in a Lower Manhattan Bar and Art space
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The artists in The Real World NY exhibitions hit the streets to create their work, as collecting and intermingling are vital to their processes. Many of these artists not only create artwork with objects and images amassed from the public, but they also work in public as social organizers. So put on your GAP jeans, your burgundy lipstick, and your Kangols – it’s not *‘Virtual Insanity’ that we’re here for. We’re here for the real thing.
* ‘Virtual Insanity’ is a 90s hit song by Jamiroquai about technological addiction and disconnection from reality
* The Real World NY Episodes 1 and 2 will be projected during the run of both shows
SUNRISE
organized by BEVERLY’S and Archie Raphulu Projects
DANIEL BARRAGÁN / RYAN OSKIN / NICOLE MOURIÑO / LAMAR ROBILLARD / CAMILLE ROUZAUD / SABRINA MENDOZA MALAVÉ
SUNRISE levitates on the horizon of steel and concrete. Birdsong mixes with jackhammers, traffic, and the cattle calls of the crossing guards who shepherd us to work, or home after a long night out. Tumbleweeds of trash and construction debris dot the landscape, as we gallop through Busy Town in search of a watering hole.
This is the Wild West of The City. The word “development” can be many things — real estate development, character development, the work of culture pioneers, or the manifest destiny towards the city – spurred by our devotion to building, destroying, dancing, collecting, and connecting.
Each of the works in this exhibition point to the hot topography of the land of the Urban Cowboy – the city as Grand Canyon, channelling us all into the steamy environment we find ourselves together in right now.
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DANIEL BARRAGÁN shows paintings highlighting a Hollywood-influenced cross-border symbolism, and Puebloan-style ceramics featuring rock bands including Queens, NY’s thrash metal band, ANTRHAX. CAMILLE ROUZAUD’S bike and metal pipe sculptures remind us of the literal METAL infrastructure that keeps us alive, and constrains us. RYAN OSKIN’S monumental sculpture, and urban geometric wall compositions remind us that while we claim biblical free will, we are surrounded and knocked around by real estate developers’ renderings turned reality. LAMAR ROBILLARD’S video utilizes familiar symbols to point toward the visibility and spirituality of Black material culture in America. NICOLE MOURIÑO’S large-format paintings and SABRINA MENDOZA MALAVÉ’S intimate wall sculptures both make work exalting the texture of the urban storefront - the facades, windows, and ground floor spaces (like the one you are currently in) that color our very personal worlds, and the worlds of our neighbors.
BEVERLY’S ART WEEK 2025
A week of special projects and collaborations with friends and Downtown neighbor galleries at BEVERLY’S - for NYC Art Week 2025
w/ BLADE STUDY featuring videos by BLADE STUDY artists, and music by Skype Williams, Umfang, Dreamer
w/ Magenta Plains with an album release by Liza Lacroix and Reece Cox
w/ Carracci Art with an edible classical sculpture by Edward Cabral, and DJ set by gallerist Clarence Johns
w/ Post Times featuring a video installation by Nate Flagg
w/ NXTHVN and James Cohan Gallery featuring NXTHVN Residency Cohort 06 Artists Party organized by curator Rigoberto Luna, with music by Dreamer
w/ Wschód Gallery featuring videos by Gregor Roguski, with Polish Pump and House DJ sets by Kilbourne, hatechild, Lotos, and Torrentz
SQUIRTING FLOWERS
PEER REVIEW X BEVERLY’S
GENE BIRD / JOSEPH WILCOX / EMILY JANOWICK / SIDNEY MULLIS / CHELSEY PETTYJOHN / FERNANDO PINTADO / ANDY RALPH / PATRICK CARLIN MOHUNDRO / KATYA TISHKEVICH / ALYSSA FANNING / MIRA DAYAL / KATE RUSEK / MEGAN PAHMIER
Artists operate in a unique ecosystem where work and friendships are bizarrely intertwined. Our coworkers, our competitors, and our audience are also our friends.
BEVERLY’S and Peer Review seek ways to materialize these relationships — as both are social and intellectual experiments with unexpected, surreal, and often ridiculous results. The roving and wildly fruitful outcomes are akin to the high-production dynamism of a Vaudeville clown show.
SQUIRTING FLOWERS exhibits past Peer Review participants in the theme of an absurdist circus. Like a beautiful bag of tricks, the works are installed freely around the stage of BEVERLY’S — where artists, organizers, and viewers all play, discuss, and dance in tandem.
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*PEER REVIEW is an exercise of love and attention by artists for artists. It pairs artists to meet, discuss, and write reviews of artists by other artists. The Volume 3 paperbound book has just been published - and will be released at a launch party as part of the programming of SQUIRTING FLOWERS.
BUTTERY - on view through 1/24/25 at BEVERLY’S
On view through January 28th, 2025 at BEVERLY’S 297 Grand Street NYC 10002
Featuring work by: Christine Stiver / Jesus Antonio / Kate Steciw / Hunter Stamps
We are excited to welcome you to the first long-form exhibition at BEVERLY’S new space at 297 Grand Street - after the pandemic and its human toll and economic realities. But we are here now. And in fact, we never left. We were just in process and always will be.
Years of building. Years of TRYING. Years of running around like a chicken with its head cut off. But there was direction. There is direction. RAZOR-SHARP direction. The dishes piled up in the sink. The focus became sharper, changed, blurred, melted, congealed and sharpened again. The piles turned into totems. The totems turned into walls – the walls that hold up this ceiling.
Kate Steciw, Christine Stiver, Jesus Antonio, and Hunter Stamps are artists who made the stunning and vastly varied works in this show – all of which, in their presentation, display for us their process — compounding process, simmering process, symbolic process, and of course their shared partner, material process. And from these processes, we have CELEBRATION.
The artist Pepón Osorio said what all complex makers intuitively know - “It’s always difficult to talk about practice, because I feel it lacks the proper terminology… It’s always more complicated and messy than it seems, and than it sounds.”
Slip and slide your way through this space, through these shapes and ideas. We present to you, BUTTERY.
@cccstiver / @jesusantoniostudio / @katesteciw / @hunter__stamps_sculpture / @beverlysnyc
*top row below from L to R - Christine Stiver, Hunter Stamps and Jesus Antonio, Kate Steciw
*middle row below from L to R - Jesus Antonio, Hunter Stamps, Kate Steciw
*third row below from L to R - Jesus Antonio, Christine Stiver, Christine Stiver
*fourth row below from L to R - Hunter Stamps, Jesus Antonio
THEATER by BEVERLY’S at TECHNE ART CENTER - Oceanside, CA
November 9, 2024 - February 22, 2025 at TECHNE Art Center 1609 Ord Way Oceanside, CA
MORGAN MANDALAY / JACK HENRY / MADDIE BUTLER / MAXX WADE / LEAH DIXON / JESUS ANTONIO / and TADASHI ADAMSON
We are so pleased to have been invited by TECHNE to build this group exhibition and installation titled THEATER.
THEATER is an homage to the bar and nightlife space as an inherent stage for action – an innate exhibition of characters, whose diverse presences are vital to the makeup of a connected and powerfully creative social ecosystem.
@morganmandalay / @jackbhenry / @mb_00_dm / @skymall98 / @leahelizabethdixon / @jesusantoniostudio / @tadashistudio
*top row below from L to R - 1st Image - Leah Dixon, Morgan Mandalay, Jack Henry, Maxx Wade, Tadashi Adamson, Jack Henry, Morgan Mandalay, Maddie Butler, 2nd Image - Jack Henry
*second row below from L to R - 1st Image - Jack Henry, Maxx Wade, Tadashi Adamson, 2nd Image - Maddie Butler, Leah Dixon, Morgan Mandalay, Jack Henry, Maxx Wade, 3rd Image - Morgan Mandalay, Maddie Butler
*third row below from L to R - 1st Image - Morgan Mandalay, 2nd Image - Jesus Antonio, 3rd Image - Jack Henry, Morgan Mandalay, Maddie Butler
RECENT SHOW - THE PUPPET SHOW at BEVERLY’S
October 10 - October 31, 2024
Featuring work by: Marco DaSilva / Tadashi Adamson / Alex Hammond / Rosalie Smith / Azikiwe Mohammed / Maxx Wade / Stina Puotinen / Dana Robinson / Carlos Rosales-Silva / Jorge Mujica
@quaintstruggle / @tadashistudio / @alexhammondstudio / @rosalieglsmith / @misterace12 / @skymall98 / @stina.p / @alphabetparty / @loloafterdark / @studiomujica
*top row below from L to R - Alexandra Hammond, Rosalie Smith, Azikiwe Mohammed
*second row below from L to R - Marco DaSilva, Dana Robinson, Maxx Wade
*third row below from L to R - Tadashi Adamson, Carlos Rosales-Silva, Jorge Mujica
*fourth row below from L to R - Marco DaSilva, Stina Puotinen, Maxx Wade
*EXHIBITION ARCHIVE 2013 - 2023
VIEWABLE IN EXHIBITION ARCHIVE SECTION OF THIS SITE
*EXHIBITION ARCHIVE INCLUDES ALL ARTISTS AND EXHIBITIONS AT OUR FIRST SPACE AT 21 ESSEX ST NYC 10002 FROM 2013 - 2020, OUR TEMP EXHIBITION SPACE AT 5 ELDRIDGE ST NYC 10002 FROM 2021 - 2023, AND ALL OFF-SITE EXHIBITIONS GLOBALLY